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For the uninitiated, scrolling through Netflix’s sci-fi section and landing on Alien: Covenant (2017) might look like a win. You have the legendary Ridley Scott returning to the franchise he started with the 1979 masterpiece. You have Michael Fassbender playing two creepy androids. You have chestbursters, facehuggers, and that iconic H.R. Giger biomechanical dread.
When the credits roll on Netflix, there is no "next chapter." There is just silence. You are left with the sinking realization that the villain won, the hero is dead, and the streamer will probably recommend you watch Raised by Wolves (canceled) or Prometheus (equally confusing) next. alien covenant netflix
But for fans who have watched the film cycle through various streaming platforms—from HBO Max to Starz and now, in many regions, Netflix— Covenant exists as a beautifully grotesque tombstone. It is the film where the ambitious, philosophical reboot of Prometheus crashed headlong into the demands of a slasher sequel. Watching it on Netflix today isn't just viewing a movie; it's witnessing a franchise having an identity crisis in 4K HDR. Netflix’s algorithm likely categorizes Alien: Covenant under "Action & Adventure" or "Horror." But that’s the core problem with the film. Scott never wanted to just make a horror movie. You have chestbursters, facehuggers, and that iconic H
This leaves viewers frustrated. The Engineers—the god-like aliens from Prometheus —are wiped out in a five-second montage of David dropping black goo bombs. The film punishes you for caring about the lore. It says, "You wanted the monster? Here is the monster. Now shut up." Yes, but with a caveat. Alien: Covenant is a gorgeous disaster. It is rated R for a reason; the violence is visceral and unflinching, a stark contrast to the sanitized jump scares of modern streaming horror. The production design is immaculate—the Covenant ship feels like a brutalist cathedral in space. You are left with the sinking realization that
Alien: Covenant on Netflix is a cautionary tale. It proves that giving the audience exactly what they ask for (more aliens) while taking away what they loved (coherent philosophy) results in a cinematic stillbirth. It’s worth a watch for the gore and Fassbender’s bizarre, operatic performance. Just know that when you hit play, you aren't starting a story. You are walking into the middle of a funeral.
The film brutally kills off Elizabeth Shaw (Noomi Rapace) off-screen, revealing her corpse as a lab experiment. If you didn't watch the online viral marketing videos ( The Crossing ), you would have no idea why the Covenant crew is doomed the moment they answer David’s signal. Netflix didn’t buy those shorts. They just bought the movie.
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