Best Service Shevannai The Voices Of Elves Kontakt | EXCLUSIVE · TUTORIAL |
At its core, Shevannai solves a specific artistic problem: how to create a vocal texture that feels human yet utterly unattainable. Traditional soprano or boychoir libraries sound grounded in earthly cathedrals. In contrast, Shevannai, performed by the ethereal vocalist Deryn Cullen, captures a linguistic and tonal ambiguity. The lyrics are not in Latin, English, or any functional language, but in a constructed, flowing phoneme system reminiscent of Sindarin or Quenya from Tolkien’s legendarium. This “nonsense” language is the library’s greatest strength. It allows the composer to bypass the semantic distraction of real words, focusing the listener’s emotional brain purely on timbre, interval, and resonance. The voice becomes a pure instrument—a woodwind made of breath and folklore.
From a technical perspective, the library is a masterpiece of KONTAKT scripting. Tarilonte understands that a fantasy choir cannot sound static. The engine offers true legato intervals, which allow the voice to glide seamlessly between notes, mimicking the natural portamento of a trained vocalist rather than the mechanical step of a sampler. The "Vowel Builder" is particularly ingenious, allowing the user to morph between open ‘Ah’ sounds to closed ‘Mmm’ or ‘Ooh’ in real-time. Furthermore, the inclusion of “Syllables” and “Phrases” patches provides instant gratification for the non-lyricist, offering pre-recorded, expressive melodic fragments that can be key-switched live. When combined with the lush convolution reverb—designed to evoke misty forests and crystalline caves—the sound instantly places the listener in a high-fantasy environment. Best Service Shevannai the Voices of Elves KONTAKT
The emotional palette of Shevannai is surprisingly broad. On the surface, it is the voice of a lone elf princess mourning by a waterfall—fragile, high, and pristine. However, by utilizing the lower dynamic layers and the “Darker” preset variations, the library can produce a haunting, almost unsettling drone. It does war drums and melancholic journeys as well as it does celestial wonder. This duality makes it indispensable for game composers (scoring elven ruins in World of Warcraft or Elder Scrolls ), film composers needing an “other” cultural sound, or even pop producers looking for an organic, mystical pad. At its core, Shevannai solves a specific artistic
