The rocking stopped.
The screen didn't open a browser. Instead, the phone buzzed, hot against her palm. The camera app launched on its own. The front-facing lens turned black, then resolved into an image: a room she didn't recognize. Old floral wallpaper. A rotary phone on a nightstand. And in the corner, a woman sat with her back to the camera, rocking slowly in a wooden chair.
She grabbed her jacket.
Against every instinct, she tapped.
She sat in the dark, heart slamming. The well. There was no well at her apartment. No well at her mother's house. But her grandmother's old farm—the one sold ten years ago—had a stone well in the back, boarded over after a child fell in during the war. 1967.
The drive took an hour. The farm was a skeleton now, roof half-collapsed, grass waist-high. But the well was still there, its wooden cover rotted through. Moonlight fell into the open mouth like a pale tongue.
Mai's breath caught. The woman's hair was silver, pinned up in the exact way her grandmother used to wear hers before she passed—three years ago last Tuesday.
The screen flickered. A single line of text glowed against the black: .
It was not her grandmother. The face was younger, harder, with hollow cheeks and eyes that reflected no light. But the mouth moved, forming words Mai could not hear. The phone's speaker crackled, and then a voice—thin, distant, as if shouted through a tunnel—said: "Mai. Don't go to the well."
Except for a single, unexplained photo in her gallery. Taken at 2:19 a.m. From inside the well. Looking up at her.