Newsreels show the liberation of concentration camps. The children, now young adults, understand the scale of fascist evil differently. They receive confirmation that most of their families in Guernica perished. The chapter is devastating but restrained. Carmencita breaks down, then waters the tree. Sabino decides: “We are the other tree now. We must keep growing.” Part V: Return? (Chapters 17–19) Chapter 17: The End of War in Europe, 1945 VE Day. The colony celebrates, but the mood is ambiguous. Spain remains a dictatorship. The children are now legal adults; some take British citizenship. Others, like Martín, plan to return clandestinely. Sabino receives a letter from a Basque priest in exile: the original Tree of Guernica has survived after all—new shoots emerged from the burned trunk.
An English crew member, Tom, teaches the children basic English phrases. His kindness contrasts with the indifferent Spanish consular officials who had remained in Bilbao. Tom tells them about a large “tree” in London called the Tower Bridge, a miscommunication that becomes a running joke. This chapter introduces linguistic displacement as a theme. el otro arbol de guernica chapter summaries
The children are allowed to send letters through the Red Cross. Most receive no reply. Carmencita’s branch begins to sprout roots in a jam jar. She declares: “This is the other tree of Guernica. The original is burned, but this one will grow.” The symbolic meaning of the title is made explicit: survival through transplantation. Newsreels show the liberation of concentration camps
Some children are placed with British foster families. Sabino goes to a Methodist household in the Lake District. The landscape reminds him of the Basque mountains, but the language and customs are alien. He has nightmares of bombers shaped like clouds. His foster mother, Mrs. Patterson, teaches him to plant a garden—a healing ritual. The chapter is devastating but restrained
Southampton appears on the horizon. The children are scrubbed, deloused, and given new clothes donated by British Quakers. Sabino is nervous: “Will they know we are from Guernica?” The ship docks, and they are met by representatives of the Basque Children’s Committee. The voyage ends, but the journey is just beginning. Part III: The English Colony (Chapters 8–12) Chapter 8: The Camp at North Stoneham The children are taken to a camp in North Stoneham, near Southampton. Conditions are cramped but safe. They are given medical exams; some have tuberculosis. The British hosts are well-meaning but culturally baffled—serving cold tea and boiled vegetables. The “other tree” becomes the colony’s makeshift flagpole, a broken mast from a lifeboat.
Abstract Luis de Castresana’s El otro árbol de Guernica (1967) is a seminal work of Spanish children’s literature that allegorizes the experience of the Spanish Civil War through the eyes of displaced Basque children. This paper provides a comprehensive chapter-by-chapter summary of the novel, analyzing how Castresana uses the children’s journey from war-torn Spain to the safety of England to explore themes of exile, identity, memory, and resilience. The “other tree” of the title serves as a symbolic counterpart to the historic Tree of Guernica—a symbol of Basque freedoms—here representing a new, transplanted hope for survival. Introduction Published during the Franco dictatorship, El otro árbol de Guernica tells the semi-autobiographical story of a group of Basque children sent abroad on the SS Habana after the bombing of Guernica in 1937. Unlike Pablo Picasso’s famous painting of the tragedy, Castresana focuses not on the horror itself but on the aftermath and the process of psychological survival. The novel is structured into clear phases: departure, the sea voyage, arrival in England, adaptation, and the shadow of return. This paper summarizes each chapter to highlight how Castresana balances collective trauma with individual coming-of-age narratives. Chapter Summaries Part I: The Destruction and the Decision (Chapters 1–4) Chapter 1: The Bombing The novel opens on April 26, 1937. The protagonist, a young boy named Sabino, witnesses the aerial bombing of Guernica from a hillside. The narrative focuses on sensory details—smoke, screams, the staccato of machine guns—but avoids excessive gore, appropriate for a young adult audience. Sabino’s family is scattered; his mother sends him with a group of refugees.
