Latgale Trip V3 Apr 2026

This is the account of 120 hours in Latgale, October 2026. A journey by diesel train, rented bicycle, and foot. A journey into the blue-grey. Rīga’s central station at 6:47 AM. The train to Rēzekne – the region’s unofficial capital – is an electric marvel by EU standards, but inside, the spirit is Soviet: worn velvet seats, windows that fog with collective breath, a samovār (tea boiler) that gurgles like a dying accordion. I choose a compartment with a Latgalian grandmother crocheting doilies. She doesn’t speak Latvian – only Latgalian and Russian. I understand one word: “ezeri” (lakes).

I open my notebook. Words: clay, fog, rope, ferry, candle, rooster, silence. Not a travelogue. A lexicon. latgale trip v3

At the window, the landscape blurs. But Latgale holds. It is the water mother in my bones. The unglazed bowl in my bag. The promise to Zane the poet, kept now. This is the account of 120 hours in Latgale, October 2026

Aglona is to Latgalian Catholics what Mecca is to Muslims. The basilica, built in 1760, is baroque but humble – white, twin towers, a statue of the Virgin on the roof. Inside, the famous icon of Aglona Mother of God (painted 1698) is covered in votive offerings: silver hearts, crutches, wedding rings. Mass is in Latgalian – a language that sounds like Latvian spoken underwater, soft and guttural at once. I am not religious, but when the choir sings “Esi sveicināta, Marija” , I feel what the anthropologists call hierophany – a rupture of the ordinary. Rīga’s central station at 6:47 AM

I stay only three hours. But I leave with a truth anyway: Latgale is not a destination. It is a method – a way of being present in a world that prefers speed. The 6:47 AM train from Rēzekne to Rīga. Same route, but reversed. The lakes now appear on the left. The grandmother with the doilies is gone. Instead, a young soldier heading to base, reading a thriller in Russian. A nun eating an apple. A child drawing a house with a blue roof.