The course is called “Teaches Filmmaking,” but screenwriting gets only two short lessons. There’s almost nothing on raising money, festivals, distribution, or dealing with studios. Scorsese acknowledges he’s had producers handle the business side – so he doesn’t teach it.
Most filmmaking courses teach “rules” (e.g., 180-degree rule). Scorsese teaches why you break them. He spends 15 minutes on a single shot from The Age of Innocence explaining how a slight camera push-in conveys repressed desire. He emphasizes “finding the emotion first, then the technique.”
Unlike live workshops or university courses, MasterClass is one-way. You watch, you take notes, but there’s no homework critique. For a craft like directing, that’s a major limitation. You won’t get notes on your scene. Comparison to Other Filmmaking Courses | Course | Best for | Technical? | Feedback? | |--------|----------|------------|------------| | Scorsese MasterClass | Vision, tone, acting, editing | No | No | | David Lynch MasterClass | Creativity, meditation, sound design | No | No | | Aaron Sorkin (Writing) | Dialogue, structure | No | No | | Full Sail/NYFA (real degree) | Hands-on skills | Yes | Yes | | YouTube (e.g., Every Frame a Painting) | Specific techniques (e.g., Kurosawa’s editing) | Sometimes | No | MasterClass.Martin.Scorsese.Teaches.Filmmaking....
He constantly references his own films. That’s fine – it’s his class. But it means less time on universal principles. For example, his advice on directing children is just “be patient with them” – no concrete technique. His section on low-budget filmmaking is nostalgic (“We shot Mean Streets in 24 days”) but not actionable for today’s indie filmmaker.
Scorsese is a rambler. Some lessons feel like he’s searching for a point. The 4 hours could easily be condensed to 2.5. The workbook helps, but the video sometimes lacks clear takeaways. Most filmmaking courses teach “rules” (e
The Scorsese MasterClass is less a “how-to” and more a It will make you a more critical viewer, a more intentional storyteller, and a more passionate filmmaker. But it will not teach you to pull focus or write a shooting schedule.
Scorsese brings in his longtime editor, Thelma Schoonmaker (3x Oscar winner). They break down the “Funny How?” scene from Goodfellas frame by frame. You see how a pause in dialogue, a cut on a blink, or a mismatched eyeline creates tension. This alone justifies the course cost. He emphasizes “finding the emotion first, then the
If you approach it as a , you’ll leave inspired. If you expect a blueprint for your first indie feature, you’ll be disappointed.
Here’s a deep, critical review of . Overview Released in 2017 as part of MasterClass’s early premium lineup, Martin Scorsese Teaches Filmmaking is often cited as one of the platform’s flagship courses. Unlike technical “how-to” classes (e.g., on lighting or editing software), Scorsese’s approach is philosophical, historical, and deeply personal . The class consists of roughly 4 hours of video across 30 lessons, accompanied by a 72-page workbook.