It’s a messy, loud, proud, and defiantly uncool-in-a-cool-way masterpiece of style over substance. If you require coherent narratives and emotional arcs, look elsewhere. But if you want to see a Japanese-French vision of a dystopian Los Angeles where a broke skater with a killer headache fights secret agents alongside ghostly masked wrestlers, all while a thumping hip-hop beat plays—then strap in.
The art style is the film’s main character. Character designs range from elongated, skeletal figures to bulbous, gelatinous mutants, all outlined in thick, jittery black lines. The animation by Studio 4°C ( Tekkonkinkreet , Mind Game ) is fluid and explosive, seamlessly shifting from slacker comedy to ultra-violent mayhem to trippy, psychedelic nightmares. The plot follows Angelino (voiced by Orelsan in French, with a suitably weary drawl by Jesse Gabor in the English dub), a broke, cynical motorcycle courier with a perpetually bruised face and a chip on his shoulder. He shares a cramped apartment with his paranoid, conspiracy-obsessed roommate Vinz (voiced by Run, or by Walking Dead ’s Michael C. Cusick in English), who believes lizard people are taking over the world. The art style is the film’s main character
After a routine delivery ends in a bizarre accident, Angelino starts suffering from crippling migraines and blackouts. He discovers he can shoot plasma from his hands, while mysterious, suited men with opaque sunglasses begin hunting him. What begins as a slice-of-life story about scraping by in a shithole city quickly escalates into a gonzo conspiracy involving government death squads, psychic powers, a subterranean society of Lucha Libre ghosts, and a literal apocalypse. The plot follows Angelino (voiced by Orelsan in