This paper analyzes the 1979 Hindi film Tum Mere Ho as a cultural artifact of the Indian social drama genre. It explores how the film reinforces patriarchal family structures through the character of the "sacrificing woman." The narrative’s resolution, which prioritizes family honor over individual desire, is examined as a reflection of late 1970s North Indian middle-class values. The paper concludes that while the film presents itself as a romance, its core ideology is a conservative reaffirmation of filial duty.
*Patriarchy and Sacrificial Femininity: A Critical Analysis of Family Dynamics in Tum Mere Ho (1979) tum mere ho film hindi
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