Our Google Maps scraper tool makes it easy to extract data from Google Maps quickly and efficiently. Try it for free.
1. Historical Context: The Post-3rd Edition 40k and Pre-7th Fantasy Era White Dwarf #290 was published during a pivotal but often overlooked transition period. Warhammer 40,000 was in its 3rd Edition (1998–2004), a ruleset that stripped down complexity from 2nd Edition but had become bloated with codex supplements. Warhammer Fantasy Battle was in 6th Edition (2000–2006), widely considered a high point of tactical depth and balance.
Issue 290 arrived just before the summer releases of 2004 — a time when Games Workshop was shifting from metal to plastic kits aggressively, and the magazine still served as both a catalog and a creative showcase, rather than purely a rules update vehicle. The cover featured a striking Blood Angels Space Marine vs. Tyranid confrontation — likely tied to the Battle for Macragge starter set hype (released later in 2004). The cover art by Dave Gallagher or Paul Dainton (typical of the era) emphasized grimdark saturation: red armor, pale alien chitin, and a ruined industrial landscape. white dwarf 290 pdf
1. Historical Context: The Post-3rd Edition 40k and Pre-7th Fantasy Era White Dwarf #290 was published during a pivotal but often overlooked transition period. Warhammer 40,000 was in its 3rd Edition (1998–2004), a ruleset that stripped down complexity from 2nd Edition but had become bloated with codex supplements. Warhammer Fantasy Battle was in 6th Edition (2000–2006), widely considered a high point of tactical depth and balance.
Issue 290 arrived just before the summer releases of 2004 — a time when Games Workshop was shifting from metal to plastic kits aggressively, and the magazine still served as both a catalog and a creative showcase, rather than purely a rules update vehicle. The cover featured a striking Blood Angels Space Marine vs. Tyranid confrontation — likely tied to the Battle for Macragge starter set hype (released later in 2004). The cover art by Dave Gallagher or Paul Dainton (typical of the era) emphasized grimdark saturation: red armor, pale alien chitin, and a ruined industrial landscape.