Thi Hai Bac Ho Trong Lang Bac La That Hay Gia ... «720p»

The Blair Witch Project (1999) 26 March 2025

Thi Hai Bac Ho Trong Lang Bac La That Hay Gia ... «720p»

For decades, the embalmed body of Hồ Chí Minh has lain in state in a granite mausoleum in Ba Đình Square, Hanoi, allowing millions of Vietnamese citizens and foreign visitors to pay their respects to the “Father of the Nation.” Yet, a persistent whisper circulates in public discourse: “The second uncle in the mausoleum is fake.” This rumor—suggesting that the body on display is not the real Hồ Chí Minh but a wax or resin replica—stems from a combination of scientific skepticism, political symbolism, and the sheer improbability of long-term preservation without deterioration. This essay argues that while the legend is understandable, the evidence overwhelmingly confirms the authenticity of the preserved body, though its “reality” is mediated by extensive scientific intervention.

The myth of a “wax double” likely arises from the body’s unnaturally perfect appearance. After decades of maintenance, the skin retains a soft, almost waxy texture and a consistent complexion. To the average visitor expecting signs of decay, this perfection paradoxically signals artificiality. However, museum science confirms that wax figures cannot replicate the minute details of pores, scars, or the specific shape of a 79-year-old’s hands—details repeatedly documented by conservators.

The rumor of a “second uncle” has several roots. First, during the Vietnam War, Hồ Chí Minh wished to be cremated, stating he preferred “simple, dignified, and environmentally friendly” disposal. The decision by the Politburo to embalm him—against his explicit wishes—struck many as contradictory, leading to suspicion. Second, the mausoleum’s strict rules (no photography, no lingering, subdued lighting) fuel curiosity and doubt. Most importantly, during the 1970s and 1980s, Soviet embalming experts had to return to Vietnam multiple times to restore the body after signs of discoloration and swelling. Each restoration period required the public to be denied access, inadvertently spawning rumors that the “real” body had decayed and been replaced by a fake. Thi Hai BAC HO Trong Lang Bac La THAT Hay GIA ...

Why does the government insist on displaying the real body? The mausoleum serves a political function: it materializes Hồ Chí Minh’s continued presence as a unifying symbol for the nation. A replica would undermine this legitimacy. The regime understands that if the public ever conclusively proved the body was fake, the resulting disillusionment could erode the cult of personality that underpins the Communist Party’s moral authority. Therefore, the massive annual budget for the body’s preservation (estimated at millions of dollars, including a dedicated Russian-Vietnamese laboratory) is rational only if the object preserved is authentic.

Below is a structured essay exploring this question from historical, scientific, and cultural perspectives. The Preserved Legacy: Addressing the Legend of the “Second Uncle” in Hồ Chí Minh’s Mausoleum For decades, the embalmed body of Hồ Chí

In truth, the body is real, but it is not “natural.” The preservation of Lenin (Moscow) and Hồ Chí Minh represents a pinnacle of Soviet biomedical science. The process involves periodically replacing the blood with a preservation solution (a mixture of glycerol, formaldehyde, potassium acetate, and distilled water), maintaining a constant 16°C temperature and 70% humidity, and annual complete submersion in a chemical bath for several months. Russian experts from the Moscow Research Institute of Biological Structures confirm that the body remains the original biological tissue—muscle, skin, and bone—of Hồ Chí Minh.

So, is the “second uncle” real or fake? The answer depends on definition. If “real” means the original biological body of Hồ Chí Minh, —it is not a wax copy. If “real” implies a naturally preserved corpse as seen in ancient mummies, no —it is a heavily chemically maintained specimen, periodically “freshened” through invasive procedures. The “second uncle” legend is a folk response to the uncanny valley created by modern embalming. Visitors see something that looks like Bác, but not as decayed as a dead body should be; thus, they invent a second, false Bác to resolve the dissonance. Ultimately, the figure in the glass case is the real Hồ Chí Minh—only so radically preserved that reality itself has begun to resemble a replica. After decades of maintenance, the skin retains a

This refers to the persistent Vietnamese urban legend or public question concerning the body of Hồ Chí Minh (Bác Hồ) on display in the Hồ Chí Minh Mausoleum in Hanoi. The phrase “second uncle” (bác Hồ thứ hai) implies a rumor that the body on display is a wax replica or a fake, rather than the preserved original.

See also:
Halloween (1978)


  1. Posted by DrBob at 11:31am on 26 March 2025

    I hate this movie with a passion. I went to see it because a friend told me it was the greatest (and scariest) film ever. I was bored witless. It finally started to get interesting... and then ended 5 minutes later. Three cretins more deserving to die in the woods I have never seen in a film. Water flows downhill! There is only one river on the map you are using! I also hated it because I worked in TV and kept thinking things like "Well the reason you've run out of cigarettes is because that rucksack must be jammed full of film cans and videotapes, so there's no room for ciggies". The bit where 2 of them are having an argument with the 3rd filming it... then one of the 2 picks up a camera so there's footage of person 3 joining the argument... no, no, no! Human beings arguing do not pause to film someone else!

  2. Posted by chris at 12:50pm on 26 March 2025

    Luckily, since I saw it shortly after it came out and therefore when it was still being talked about, I did not feel in the least cheated: I had no expectations in the first place.

    My main reaction was "goodness, don't they know any more interesting swear-words than THAT? What boring little people. And what on earth will they have left to say if something does suddenly rise up and rend them limb from limb, now they have used up the only emphatic they know?"

  3. Posted by RogerBW at 02:58pm on 26 March 2025

    As far as I recall, mostly "gluk" as the camera cuts out.

  4. Posted by Robert at 05:03pm on 27 March 2025

    My memories of this are entirely bound up in the spectacle of the event.

    I saw it in a crowded theatre the week it came out at the insistence of friends with a large group of friends.

    It was a boring watch and it was dumb and “follow the river” and “maybe just burn the house” were expressed among my friends as it was watched.

    All that said the atmosphere in the theatre was genuinely tense in a way I’ve never experienced before or since and quite a number of folks were genuinely shaken as they left the theatre.

    I can’t imagine anyone ever wanting to re-watch it and the effect of the film on people I knew well absolutely puzzled me.

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